Flower for Hollywood
Hollywood film shooting location: Silver Saddle Motel
Photographs by Vincent Johnson from 2001 – 2002 in the San Fernando Valley, Los Angeles, California
In the fall of 2001 I decided to photograph several of the extremely strange scenes I was coming across while also shooting vernacular architecture throughout Los Angeles. I determined that this project would be shot in black & white, to be capture and accent the odd and provocative worlds I was happening upon each night while I took pictures. There seemed to be an underlying theme of the Film Industry and it’s its major presence in the San Fernando Valley. I shot photographs of storefronts, homes, businesses and street scenes, each of which I felt reflected upon the amazing and unique visual experiences that this former land of orchards turned into military airfields and then the largest military-industrial complex in California during the Cold War. There were over 250,000 people employed in the military defense industry. By the late 1990’s almost all of these massive enterprises had been shut down, leaving Hollywood to again take the reins of the look and feel of the San Fernando Valley.
Movie studio prop house: Car covered and furniture props
Movie prop: Holiday mask (male)
Film equipment storage
Cars arriving at the Set
Home used for Film Shoot
Director giving instructions to cast and crew
11411 Hollywood sign
Movie prop: Holiday mask (female)
Flowers for Hollywood film shoot
Ritz motel for Hollywood lovers
Motel Pool, Los Angeles
Vincent Johnson is an artist and writer in Los Angeles. He has recently been named a 2010 United States Artists Project artist.
The USA site went live on December 7, 2010
My initial project is to fabricate a 3 foot tall doll house sized sculpture of the collapsed William Livingstone House in Detroit. The project description and a video presentation of the project are at the links provided here:
Please feel free to review the site and to contact others who would be interesting in supporting the program and my project.
thanks so much
Los Angeles, California
Biography July 2010
Vincent Johnson lives and works in Los Angeles. His work has been exhibited at Las Cienegas Projects, LAXART, the P.S. 1. Museum, the SK Stiftung, Cologne, the Santa Monica Museum of Art, the Museum of Contemporary Art, Chicago, the Studio Museum in Harlem, the Adamski Gallery of Contemporary Art, Aachen, the Sacramento Center for Contemporary Art, 18th Street Arts, Santa Monica and the Boston University Art Gallery. His photographic works engage both significant and neglected historical and contemporary cultural artifacts and is based on intensive research of his subjects. Upcoming is a group show at the Kellogg Museum of Cal Poly Pomona, a one person show in Copenhagen, a one person show at the University of California, Santa Barbara, and a one person show at Las Cienegas Projects, Los Angeles.
Johnson received his MFA from Art Center College of Design in 1997. He studied with Mike Kelly, Jack Goldstein, Stephen Prina, Liz Larner, Chris Williams, Mayo Thompson (formerly of Art&Language), and Liz Larner. He is a 2005 Creative Capital Grantee, and was nominated for the Baum: An Emerging American Photographer’s Award in 2004 and for the New Museum of Contemporary Arts Aldrich Art Award in 2007 and for the Art Matters grant in 2008, and in 2009 nominated for Foundation for Contemporary Art Fellowship, Los Angeles. His work has been reviewed in ArtForum, The New York Times and the Los Angeles Times, and numerous other publications. Upcoming is a group show at the Kellogg Museum of Cal Poly Pomona, a one person show in Copenhagen, a one person show at the University of California, Santa Barbara, and a one person show at Las Cienegas Projects, Los Angeles.
Vincent Johnson’s work is a form of sustained cultural mining that explores the depths of his subjects. His photographic works created from 2001-2007 delved into architecture as fantasy, from the vernacular architecture of Los Angeles to that found throughout the American West. He has documented several of the no longer extant commercial vernacular structures in both South Los Angeles and the San Fernando Valley that came into existence during the birth of long distance family travel by car. In 2007 he presented a fully fabricated work of sculpture – a 12 foot long six-foot high replica of a 1956 Chrysler Air Raid Siren. This project developed as he was both researching and documenting a former military corridor in the San Fernando Valley that included a retired military airfield. His newest photographic works, all created in 2008 and 2009, are large-scale photographic montages, each of which confront significant cultural figures and several dramatic signal events of Cold War era Western cultural history, including Television, the launch of Sputnik, the Soviet Space program, American home-based bomb shelter program, and Vietnam. He is working on large-scale photomontages of the several major American political figures of 1960’s, including Martin Luther King, the Kennedy family, and Malcolm X, as well the representations of both Communism and Capitalism, Hollywood and Los Angeles and many related Cold War era subjects. Johnson’s photomontages can take several months to create as he captures hundreds of images from online sources, before selecting those which most well index a particular historical moment, personage or event. The creative juxtapositions and scale shifts of the found images is what he most relies on to develop his potent and illuminating photographic works.